El eneagrama sauriano: Geometrías de la memoria en el cine de carlos saura durante la transición democrática española

Ernesto Perez Moran

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Carlos Saura’s filmography during Spanish Transition is strongly revisionist. Memory and its representation imbue a group of six films that revolve around this return the characters of Saura implement. A comparative analysis of them reveals the saurian characters shape some kind of scheme. We’ve called “Carlos Saura’s Enneagram” because it implies the repetition of a group of archetypes subordinate to the Memory. Our main objective is to define a memory model by a film director who never left nothing up to fate. This model also makes posible to delineate the main characteristics of the memory in Saura’s cinema.

Original languageSpanish
Pages (from-to)131-146
Number of pages16
Issue number1
StatePublished - 1 Jan 2018

Product types of Minciencias

  • B article - Q3

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